This might interest you :

Healing Intention Experiments:

6.6.2012 - 1/4 - Healing Intention Experiments - YouTube



also : check it out

Electro-Culture



all is analogy ( your mind is the soil )

Psychologists find meditation increases awareness of subliminal messages



Now you can always choose which subliminal message you receive ... Electro Culture of the Heart

Bounce FM Track 10 George Clinton - Loopzilla - YouTube track 10

brass monkey funky monkey - YouTube

More bounce to the Ounce

moving on to another text we previously discussed see The Brain is an Advanced Fractal Antenna

Sepher Yezirah Index

6 Chapters

CHAPTER III.
SECTION 1.

The three first elements, ‏א״מ״ש‎ are typified by a balance, in one scale the merit and in the other the criminality, which are placed in equilibrium by the tongue. These three mothers, ‏א״מ״ש‎ are a great, wonderful and unknown mystery, and are sealed by six 26 rings, or elementary circles, namely: air, water and fire emanated from them, which gave birth to progenitors, and these progenitors gave birth again to some offspring.

SECTION 2.

God appointed and established the three mothers, ‏א״מ״ש‎ combined, weighed and changed them, and formed by them three mothers ‏א״מ״ש‎ in the world, in the year and in man, male and female.

SECTION 3.

The three mothers ‏א״מ״ש‎ in the world are: air, water and fire. Heaven was created from fire or ether; the earth (comprising sea and land) from the elementary water; and the atmospheric air from the elementary air, or spirit, which establishes the balance among them.

SECTION 4.

The three mothers ‏א״מ״ש‎ produce in the year 27: heat, coldness 28 and moistness. Heat was created from fire, coldness from water, and moistness from air which equalizes them.

SECTION 5.

The three mothers ‏א״מ״ש‎ produce in man, male and female, breast, body and head. The head was created from fire, the breast from water, and the body from air, which places them in equilibrium.

SECTION 6.

FIRST DIVISION. God let the letter. Aleph (‏א‎) predominate in primitive air, crowned 29 it, combined one with the other, 30 and formed by them the air in the world, moistness in the year, and the breast in man, male and female; in male by ‏א״מ״ש‎ and in female by ‏א״ש״ם׃‎

SECTION 7.

SECOND DIVISION. He let the letter Mem (‏מ‎) predominate in primitive water, and crowned it, combined one with the other, and formed by them the earth, (including land and sea) coldness in the year, and the belly in male and female; in male by ‏א״מ״ש״‎ 31, in female by: ‏מ״ש״א׃‎

SECTION 8.

THIRD DIVISION. He let the letter Sheen (‏ש‎) predominate in primitive fire, crowned it, combined one with the other, and formed by them, heaven in the world, heat in the year, and the head of male and female. 32

continued ................. Sepher Yezirah: Chapter VI.

CHAPTER VI.
SECTION 1.

These are the three mothers or the first elements, ‏א״מ״ש‎ from which emanated three progenitors; primitive air, water and fire, and from which emanated as their offspring, three progenitors and their offspring, namely: the seven planets and their hosts, and the twelve oblique points.

SECTION 2.

To confirm this there are faithful witnesses; the world, year and man, the twelve, the Equipoise, the heptade, which God regulates like the Dragon, 40 (Tali) sphere and the heart.

SECTION 3.

The first elements ‏א״מ״ש‎ are air, water and fire; the fire is above, the water below, and a breath of air establishes the balance among them. For an illustration may serve, that the fire carries the water is the phonetic character of ‏מ‎ which is mute and ‏ש‎ is hissing like fire, there is ‏א‎ among them, a breath of air which places them in equilibrium. 41


SECTION 4.

Dragon (Tali) is in the world like a king upon his throne, the sphere is in the year like a king in the empire, and the heart is in the human body like a king 42 in war.

SECTION 5.

God has also set the one over against the other; the good against the evil, and the evil against the good; the good proceeds from the good, and the evil from the evil; the good purifies the bad, and the bad the good; the good is preserved for the good, and the evil for the bad ones.

SECTION 6.

There are three of which every one of them stands by itself; one is in the affirmative, the other in the negative and one equalizes them.

SECTION 7.

There are seven of which three are against three, and one places them in equilibrium. There are twelve which are all the time at war; three of them produce love, and three hatred, three are animators and three destroyers.

SECTION 8.

The three that produce love are the heart and the ears; the three that produce hatred are the liver, the gall and the tongue; the three animators are the two nostrils and the milt; and the three destroyers are the mouth and the two openings of the body; and God, the faithful King, rules over all from His holy habitation to all eternity. He is one above three, three are above seven, seven above twelve, and all are linked together.

SECTION 9.

There 43 are twenty-two letters by which the I am, Yah, the Lord of hosts, Almighty and Eternal, designed, formed and created by three Sepharim, His whole world, and formed by them creatures and all those that will be formed in time to come.

SECTION 10.

When 44 the patriarch Abraham comprehended the great truism, revolved it in his mind, conceived it perfectly, made careful investigations and profound inquiries, pondered upon it and succeeded in contemplations, the Lord of the Universe appeared to him, called him his friend, made with him a covenant between the ten fingers of his hands, which is the covenant of the tongue, 45 and the covenant between the ten toes of his feet, which is the covenant of circumcision, and said of him: "Before I formed thee in the belly I knew thee." (Jer. I, 5.)

Z. Rumi

Gregory Colbert



Ashes and Snow- Feather to Fire - YouTube

a re post from The Brain is an Advanced Fractal Antenna

RODNEY COLLIN
THE THEORY OF CELESTIAL
INFLUENCE
MAN, THE UNIVERSE, AND COSMIC MYSTERY





6 3 9




follow up:



follow up:

this is what these threads are all about


they can take any form / Name (as they are also Fractal ):

THE SEVEN HERMETIC PRINCIPLES.

"The Principles of Truth are Seven; he who knows these, understandingly, possesses the Magic Key before whose touch all the Doors of the Temple fly open."

The Seven Hermetic Principles, upon which the entire Hermetic Philosophy is based, are as follows:

I. THE PRINCIPLE OF MENTALISM.
II. THE PRINCIPLE OF CORRESPONDENCE.
III. THE PRINCIPLE OF VIBRATION.
lV. THE PRINCIPLE OF POLARITY.
V. THE PRINCIPLE OF RHYTHM.
VI. THE PRINCIPLE OF CAUSE AND EFFECT.
VII. THE PRINCIPLE OF GENDER.



from the Codex of Love:

you can also call them the Seven Angels




try this when you have succeeded in turning on your third eye (that tingly feeling in your forehead ) and everyday project one symbol into your forehead and give it its corresponding color:

for instance today is Friday so project A‘ a niel's Symbol in Green Color (i usually pass it through the 7 colors before i stop on the green )

started doing it instinctively ever since i read (see the post on it )the

SECRETS OF ANCIENT MAGIC PATH OF THE GODDESS
Introducing a Theurgic System of Magical
Development and Spiritual Initiation
BY
NINEVEH SHADRACH


Establishing the teaching In The West 1924 49 - YouTube

when we talk about sacred books they can take many forms ..... and a thought occured to me

do you think the 369 method or the Fibonacci Method would work with a Musical Partition



for instance :

Beethoven Symphony No.9 - YouTube

http://en.wikipedia.org/wiki/Symphony_No._9_(Beethoven)





just wondering

Beethoven Symphony no. 3 - Philippe Herreweghe - YouTube

Beethoven: Symphony No. 6 - Otto Klemperer - YouTube symphony 6 / 5 movements

3.1.1 I. Allegro ma non troppo
3.1.2 II. Andante molto mosso
3.1.3 III. Allegro
3.1.4 IV. Allegro
3.1.5 V. Allegretto

Beethoven Symphony No.9 - YouTube

— Ludwig van Beethoven


Leonardo Da Vinci
Nikola Tesla

Jules Verne

‘Whatever one man is capable of imagining, other men will prove themselves capable of realizing.’

ready for this one

thanks number 7 for the inspiration

Lascaux, France.

Lascaux Cave: (Palaeolithic Cave-art).

Lascaux contains some of the best-known Upper Palaeolithic art. These paintings are estimated to be around 17,300 years old. (1) They primarily consist of primitive images of large animals, most of which are now known from fossil evidence to have lived in the area at the time.

Lascaux is one of the worlds richest examples of cave-art with over 1,500 engravings and 600 drawings having been documented. The Vézère valley in which Lascaux is found contains 147 prehistoric sites dating from the Palaeolithic and 25 decorated caves. (1)





another sacred book
-----------------------

Chauvet cave, France.



The Chauvet 'Venus':



see also one of my favorite painting : L'Origine du monde - Wikipedia, the free encyclopedia


Lascaux was also a place visited by Gurdjieff .... Female Poles Attract Female Poles like a Dowsing Rod

take the example of all the centers of innovation silicon valley ..... Tesla / Colorado Springs

All over the Middle East!, page 1

this is a great part of the Legend of White Buffalo Woman :

Native American, the White Buffalo




The White Buffalo Woman also talked to the children, because they have an understanding beyond their years. She told them that what their fathers and mothers did was for them, that their parents could remember being little once, and that they, the children, would grow up to have little ones of their own. She told them: "You are the coming generation, that's why you are the most important and precious ones. Some day you will hold this pipe and smoke it. Some day you will pray with it."

She spoke once more to all the people: "The pipe is alive; it is a red being showing

you a red life and a red road. And this is the first ceremony for which you will use the pipe. You will use it to Wakan Tanka, the Great Mystery Spirit. The day a human dies is always a sacred day. The day when the soul is released to the Great Spirit is another. Four women will become sacred on such a day. They will be the ones to cut the sacred tree, the canwakan, for the sun dance."

She told the Lakota that they were the purest among the tribes, and for that reason Tunkashila had bestowed upon them the holy chanunpa. They had been chosen to take care of it for all the Indian people on this turtle continent.

She spoke one last time to Standing Hollow Horn, the chief, saying, "Remember: this pipe is very sacred. Respect it and it will take you to the end of the road. The four ages of creation are in me; I am the four ages. I will come to see you in every generation cycle. I shall come back to you."

The sacred woman then took leave of the people, saying: " Toksha ake wacinyanitin ktelo, I shall see you again."

Khalil Gibran - Wikiquote



------------ see also :

produce on salt water

we know that salt dilution generates UV ( search this thread )

but what else do we really know about salt

Ancient Road: The Magic of Salt

The Magic of Salt


Regarded as one of the most powerful cleansing and protective substances, salt has a long history in human magio-consciousness. Since time immemorial, humans have had need of salt and it has been such a prized substance it has often been used as a currency in ancient times. It also has a long magical history and has been recorded in mythology, folklore and old books of magic.

It is common knowledge that one use salt to protect a home or cleanse a ritual space. Many folks who come into Ancient Road know that salt is used but they do not know why. And in fact many of the so called books of "magic" and "Wicca" espouse the use of salt without a further word as to why. It is taken as a dogmatic "truth" and I suppose it is one of the better ones out there. However, when dealing with magic we must know why we are doing what we are doing. There must be links and correspondences and not just a willy nilly "it feels right to me" reasoning. That is the reason I chose to discuss salt in depth, one of the most used and common magical components to almost every ritual, so here is why it is used in magic.

First of all early man realized the benefits of salt in its antiseptic and preservative qualities. Here was a substance that could take infection out of a wound and preserve meat from rotting. Two things that were essential to life before antibiotics and refrigeration. Here was a substance that aided in the ease of life and helped mankind and therefore had magical properties. Homer called salt "divine" and Plato described it as a substance that was "dear to the Gods."

The Latin word "sal" is the root of the word "salt" and the art of understanding letters as holy unto themselves with a distinct etymology can be found in Latin (as in Hebrew) and is a lost art of occult understanding. Therefore, let us look at the magical etymology of s.a.l.

S: represents the joining of two circles; namely the sun and the moon and is therefore like the yin-yang a perfectly balanced symbol of the masculine and feminine energies.


A: (Alpha) is the beginning of all things. The first. A strong indication that Salt is a building block to all life on Earth.


L: is the Latin emblem for all the celestial glory in the heavens.

So we can see a strong link to a powerful occult etymology in the very word associated with salt. In fact salt is of the Earth and in Traditional Witchcraft is associated with the element of Earth often found on many a witch's altar. Earth is the foundational element where the witch stands and the use of salt in modern Witchcraft traces its roots to the Catholic Church (as do many of the modern rituals). We also know that both the aspurging water and the holy water in Catholic churches contain salt. So why then if salt is "of the Earth" and the Earth in Christian reasoning is a place infected with the infernal would such a substance be considered so holy and purifying?

The answer to this is again related to the virtues of salt and the use of salt again as a purifier against decay and as a healing agent. The presence of salt meant the absence of decay and evil. So what we have here really is an example of sympathetic magic used in the Catholic Church and because Traditional Witches practice dual faith observance many of the traditions from the church found their way into Witchcraft. The absence of salt is yet again revealed in the taboos of spilling salt. When Judas (who had an absence of goodness and integrity) overturned the salt cellar in the Paschal Supper this was said to have angered God and created a space for evil spirits to reside. The spilling of salt is related to this concept and therefore is related to Judas and is taboo.

In the "Three Books of Occult Philosophy" written and compiled by Agrippa in the early 16th century we find an important clue to the magical nature of salt. Agrippa writes " ...Consider, that everything moves, and turns itself to its like, and inclines that to itself with all its might, as well in property, viz. occult virtue, as in quality, viz. elementary virtue. Sometimes also in substance itself, as we see in salt, for whatsoever hath long stood in salt, becomes salt." And if you have ever brined a turkey or eaten salted pork you KNOW just how salty it has become. That is salt "saltifies" that which it touches preserving it forever as salt. In occult terms salt is a great neutralizer of energy and space. Salt also has a crystalline structure and crystals have long been used in many magical traditions to trap energy.

In Ozark folk lore it is believed that witches (who were evil as opposed to Cunning women) eat very little salt because "The Devil hates salt." It is also believed that animals who will not eat salt are bewitched. This again goes back to the belief that the absence of salt allows negative energy (and rotted disease) to be present. There was also the belief that if salt got too low in the cupboard or if you ran out of salt it would mean an entire year of poverty and privation. Again by allowing the protective agent (salt) to disappear meant you were "courting" the dark, decaying forces of the Devil.

So now we can see albeit in a nutshell, how salt works magically and why it is important to the magician. By calling the power of Earth, Malkuth, the plane where we are in our physical bodies, corporeal nature is brought into a balanced neutrality so that you, the magician, may work from a familiar grounded starting point. Salt being heavy of Earth and a purifier is an almost impossible medium for spirits to work with and is vitally connected to us. This is why in Hoodoo (which traces its lineage to the Grimoric traditions of Europe, Jewish Kabbala and African Folk Magic) salt is the main ingredient in our Uncrossing baths. It is a spiritual "re-set" button and a medium that spirits cannot cope with. We are also participating in an ancient ritual use of salt to purify and preserve that our ancestors used. And in my experience one need not use fancy sea salt flown in from the bottom of the Dead Sea. Table salt works just as well.......

Crystal structure Cubic



see : The Golden Tractate of Hermes Trismegistus applied to electromagnetism





Platonic solid - Wikipedia, the free encyclopedia



note the numbers





if we read the table from right to left ..... in reverse ( fractal )

then

FIRE = 3 3 3 = 9 = HM 9
EARTH = 4 4 4 = 12 = HM 3
AIR = 3 3 3 3 = 12 = HM 3
ETHER = 5 5 5 = 15 = HM 6
WATER = 3 3 3 3 3 = 15 = HM 6

Who Was Robert J. Moon?

Robert James Moon (1911-1989): Arriving at the University of Chicago at the age of 16 in 1928, Moon expressed his intention to solve the problem of controlled thermonuclear fusion. Arthur Compton, then chair of the Physics Department, told him his department was not working on that problem, and sent him to the chairman of the Department of Physical Chemistry, William Draper Harkins.

Moon earned a Ph.D. degree in Physical Chemistry under Harkins, and then a doctorate in Physics. He taught in both departments at the University of Chicago, starting in the 1930s. During World War II, he played a key role in the Manhattan Project; he later conducted biophysical research in connection with Argonne National Laboratory.

In the 1930s, Moon built the second cyclotron in the world, with many improvements over the first device constructed by E.O. Lawrence. During the Manhattan Project, he solved the problem of the carbon moderator, making the first atomic pile possible. After the war, he constructed the first scanning X-ray microscope, and pioneered in optical biophysics studies on the action potential in nerves.

His study of the electrodynamic theories of André-Marie Ampère and Wilhelm Weber, led him to reconsider the usual interpretation of the Rutherford scattering data, which ignores the variation in force between charged particles as a result of relative velocities and accelerations. Calculations based on the Weber electrodynamics forced Moon to re-conceptualize most of what is, still today, taken for granted in atomic and nuclear physics.Who Was Robert J. Moon?

From 1974 onward, he was a key collaborator of Lyndon H. LaRouche, Jr. A founding member of the Fusion Energy Foundation, from 1984-1986 he edited its International Journal of Fusion Energy. He was a member of the advisory board of 21st Century Science & Technology, until his death in 1989.

As an outgrowth of seminars conducted with LaRouche and other scientific collaborators in the 1984-1986 period, Moon came up with his proposal for a geometric ordering of the atomic nucleus, inspired by Johannes Kepler’s conception of the solar system, as described in his work Mysterium Cosmographicum.



ps: you are made of some of thse elements / platonic solids

Advances in Developing The Moon Nuclear Model

we have talked about Fresnel and his lens :


from: Advances in Developing The Moon Nuclear Model

1.1 PROTONS CONSIDERED AS AMPERE MAGNETIC MOLECULES

In 1821, André-Marie Ampère adopted the hypothesis, suggested by his friend and colleague Augustin Fresnel, that there existed within matter, tiny circular loops of electrical current, which, like the macroscopic ones he had studied, acted like magnets. If the current loop were thought of as the “equator” of an imaginary sphere, the north and south poles of the sphere would be the north and south poles of the magnet which the current loop produced. Ampère supposed that magnetization of a piece of iron consisted of alignment of these “magnetic molecules” in parallel columns, so as to magnify their effect.

( same thought as Pier Luigi Ighina Pier Ighina's Cosmic Energy Inventions - The Tesla / Reich / Keely of Italy - English Subtitles - YouTube )



you know the traditional models are just as correct as Moon's model ( fractal ) .... they are just screw drivers with different heads ... for different screws / perspective / circuit / half truth

would like to share with you a profile of a " Grande Dame "

Eva de Vitray-Meyerovitch - Wikipédia

Eva-Vitray Meyerovitch (1909-1999) was a doctor of Islamic studies , researcher at CNRS ( The National Centre for Scientific Research (French: Centre National de la Recherche Scientifique or CNRS) is the largest governmental research organisation in France )

she headed the department of humanities, translator and writer, and published a total of forty books and numerous articles.


Biography [ edit ]

Born November 5, 1909 in Boulogne-Billancourt , in a cozy environment in the greater Paris, Eva Lamacque of Vitray comes from an aristocratic one . She has been educated in Catholic schools and opted for a law degree two , before beginning a PhD in philosophy with respect to the symbolism in Plato 3 .

At age 22, she married Lazarus Meyerovitch, original Jewish Latvian 3 . She became director of the laboratory Frederic Joliot-Curie 4 , with whom she escapes from Paris in 1940 during the German occupation . It remains removed in Corrèze during the war 5 while her husband is part of the Free French Forces 6 .

After the Liberation , she joined the CNRS where she quickly became service manager "Humanities 7 "and makes his living through translations 8 . She met Louis Massignon , with whom she will remain closely linked and that the support at the brutal death of her husband in the early 1950s 9 .

She discovers Islam through the book of the thinker and poet Muhammad Iqbal : Rebuilding religious thought of Islam 10 . After three years of Christian exegesis at the Sorbonne , she chose to become a Muslim 11 . She is very interested in the work of Persian poet Jalal ud Din Rumi (1207-1273) which will raise awareness of the mystical dimension of Islam , the Sufism 12 . Subsequently, she embarked on learning the Persian 13 and published shortly after his first translations of Muhammad Iqbal and Jalal ud Din Rumi .

In 1968, she defended her doctoral thesis at the University of Paris with the subject: Themes in the mystical work of Jalal ud Din Rumi 14 . From 1969 to 1973 she was seconded to Cairo as a teacher at the prestigious University "Al Azhar" 15 . In 1971, she made ​​the pilgrimage to Mecca and also visit Medina 16 .

Since 1972 and until her death, she regularly publishes translations of Rumi commented and works as a writer on Islam , the Sufism and whirling dervishes . In 1990, she published the translation of Mathnawi of Rumi, a colossal work of 50 000 to 1,700 pages and is translated for the first time in French 17 .

Alongside her career as an intellectual, she pursued a personal quest that leads her to meet many personalities involved in Sufism as Hampate Ba 18 , Oud Din Najm Bammate 19 , Khaled Bentounès 20 or Faouzi Skali 21 . It is through the latter that she met in 1985 in Morocco, a spiritual leader Sufi living, Sidi Hamza al Qadiri al Boutchichi , it will follow the teaching until his death 22 . It is also very active as a speaker to present his knowledge in France and abroad on Rumi , the Islam and Sufism . She recorded several programs for France Culture and TV 19 . In 1998, during its last conference in Turkey , she expressed the wish to be buried in Konya 23 .

She died July 24, 1999 24 , in her apartment in the Rue Claude Bernard in Paris 19 . She was buried in the strictest privacy to Thiais , near Paris. Since 2003, steps are performed to transfer his remains in Konya in 2008 and lead.

December 17, 2008, an official ceremony accompanied the burial of the casket of Eva Vitray Meyerovitch in Konya- 25 , opposite the tomb of Rumi 26 .

Muhammad Iqbal Muhammad Iqbal - Wikipedia, the free encyclopedia

-----------------

asrarpreface

PREFACE to "Secrets of the Self" (1915)

[*PAGE 1*] This oneness of feeling, or enlightened point of consciousness, by which all human imaginings, emotions, and hopes are illuminated; this mysterious thing, which is the stitch-binding of human nature’s diffuse and limitless character; this 'I', this 'self', this 'ego', which is the creator of all things witnessed, albeit whose fineness prevents it from being itself witnessed — what is this thing? Is it an eternal reality? Or is it simply the case that life has contingently made itself evident, in the guise of a trick of the mind or an instructive lie, for the sake of the attainment of its immediate goals? With regard to ethics, a person's and community's manner of action is dependent on this extremely relevant question. [*PAGE 2*] And this is the reason that there won't be any community in the world whose wise men and scholars haven't, in one way or another, wracked their brains to create an answer to this question. But the answer to this question does not depend so much on the mental capabilities of these persons and peoples as on the inclination of their temperament. The philosophically-minded peoples of the East have largely inclined to this result: namely, that the self is simply a trick of the imagination, and the removal of this noose from around the neck is called salvation. The Western peoples' taste for action has taken them towards the kind of results that their nature demanded.

In the Hindu community's heart and intellect, actions and theories have been mixed in an extraordinary way. This community's hair-splitting sages have done tremendously minute investigation of the reality of the power of action. And finally they have arrived at the result that this sequentially witnessed life of the self, which is the foundation of all pains and problems, is [*PAGE 3*] declared to be action. Or put it like this: the extant conditions and necessities of the self are the necessary result of its past manner of action, and so long as this law of action does its work, those same results will continue to be produced. When Faust,the hero of Germany’s famous nineteenth-century poet Goethe, reads 'action' in place of 'Word' in the first chapter of the Gospel of John ('In the beginning was the Word, the Word was with God, and the Word was God'), then in reality his perspicacious glance notices that point which Hindu sages had seen centuries before. In this extraordinary manner, Hindu sages had untangled the knot of the full scope of destiny and human freedom — or in other words, of preordination and free will. And there's no doubt that, from a philosophical point of view, their inventiveness is worthy of praise. And especially for this reason: that with great moral courage [*PAGE 4*] they also accept all the philosophical consequences produced by this issue. That is, when the self is determined by action, then there's only one means of escaping from the noose of the self — the renunciation of action. This conclusion was extremely dangerous for both the individual and the group, and thus called for the appearance of a renewer, who would clarify the true understanding of the renunciation of action. In the intellectual history of humanity, the name of Shri Krishna will always be taken with courtesy and respect — that this great man, in an extremely captivating way, criticized his land and people's philosophical traditions, and made the truth apparent that the renunciation of action is not the renunciation of everything . Because action is a requirement of nature, and through it arises life’s stability. Rather, by renunciation of action is meant that there should be absolutely no attachment of the heart to action and its results. After Shri Krishna, Shri [*PAGE 5*] Ramanuja also walked on this path; but it's a pity that the bride of meaning whom Shri Krishna and Shri Ramanuja sought to unveil, was again veiled by Shri Shankar[acharya]'s logical enchantments. Shri Krishna's community were left deprived of the fruit of his renewal.

In western Asia, the Islamic movement too was an extremely powerful message of action, although according to this movement the "self" is a created thing that can become incorruptible through action. But in the investigation and scrutiny of the problem of the self, in the intellectual history of Muslim and Hindu scholars there is one remarkable similarity. And that is this: that the intellectual point from which Sri Shankar[acharya] produced his commentary on the [Bhagavad] Gita — from that same intellectual point, Shaikh Muhyi ad-Din ibn 'Arabi al-Andalusi produced his commentary on the Qur'an, which had a tremendously deep effect on Muslims' hearts and minds. [*PAGE 6*] Shaikh Muhyi ad-Din’s knowledge, virtue, and forceful personality made the 'oneness of being', on which he was a tireless commentator, an inseparable element of Islamic thought. Awhad ad-Din Karmani and Fakhr ad-Din al-'Iraqi were extremely influenced by his learning, and gradually all the Persian poets of the fourteenth century were colored by his thought. How could the sensitive temperament and delicate character of the Iranian people have endured the burden of this long intellectual labor, which is necessary to arrive at the whole from the part? They crossed the difficult ground from the part to the whole with the aid of an intermediary stretch of the imagination: in [poetic references to] the 'vein of the lamp' they witnessed, without any connection, the 'blood of the sun'; and in the 'spark of the stone', the '[divine] glory/manifestation of Mount Tur [Sinai]'.

In short, in establishing the problem of the 'oneness of being', the Hindu sages made the mind their addressee. But the Iranian poets, in commenting on this problem, have adopted a more dangerous [*PAGE 7*] approach: that is, they have made the heart their target. Eventually the result of their beautiful and elegant subtilizings was that when this problem reached the common people, it deprived almost all the Islamic communities of the taste for action. Probably Ibn Taymiyya among the scholars, and Wahid Mahmud among the sages, were the first who raised the voice of exigency against this all-seizing movement of Islamic thought. Mulla Muhsin Fani Kashmiri, in his book The School of Creeds, has written a brief account of this sage, from which a complete estimate of his views cannot be formed. Ibn Taymiyya’s powerful logic certainly had some sort of effect, but the truth is that the dryness of logic cannot compete with poetry’s heart-stealing quality.

Among the poets, it was [the Persian poet] Shaikh 'Ali Hazin who said that "Sufism is good for versification," [*PAGE 8*] and thus testified to his awareness of the reality of the situation; but in spite of this, his works bear witness to the fact that he could not remain protected from the effects of his surroundings. Under these conditions, how would it have been possible for Islamic thought in Hindustan to safeguard its taste for action? [The Indo-Persian poet] Mirza Bedil has given his heart to the pleasure of rest to such a degree that even a movement of the glance is unpalatable to him:

There are subtleties within the embrace of bewilderment's house of mirrors.
Do not strike your eyelashes together, lest you should destroy the show’s colour.

And [the Urdu poet] Amir Mina'i gives this teaching:

Look at whatever comes before you, and do not speak from your mouth,
Produce a mirror-eye, a picture-mouth.

The Western peoples are distinguished among the peoples of the world with regard to their power of action, [*PAGE 9*] and for this reason their literature and ideas are for the people of the East the best guides to understanding the mysteries of life. Although the modern philosophy of the West begins with the system of the unity of existence of a Jewish philosopher of Holland [Spinoza], it was action’s colours that prevailed in the West. Reinforced by the deductive method of mathematics, the enchanted world of the problem of the 'oneness of being' remained stable for a long while. It was in Germany that emphasis was first given to the human ego’s individual reality; and slowly, by virtue of the taste for action possessed by the sages of England in particular, the philosophers of the West were freed from the effect of this enchanted world of the imagination. Just as there are senses specific to colour, smell, etc., there is another sense in human beings that ought to be called the 'sense of events'. Our life depends on witnessing the events around us, correctly understanding [*PAGE 10*] from them their cognitive content, and adorning ourselves with actions. But how many of us avail ourselves of this sense that I have conveyed by using the term 'sense of events'? Events are born and will continue to be born from within the mysterious womb of Nature's order, but before Bacon, who knew that present events — which the philosophers who have given their hearts to theory view with a look of disdain — keep veiled within them a precious treasure-chest of realities and knowledges? The truth is that all of the peoples in the world are indebted to the practical sagacity of the English people, for in this people the sense of events is sharper and more developed than in the other peoples of the world. It is for this reason that to this day no system of philosophy that sports with the mind and is unable to bear the sharp light of well-known events has been accepted onto English soil. Furthermore, the writings of the sages of England [*PAGE 11*] are at a special level among the literatures of the world, and are fit to be taken by Eastern hearts and minds for their benefit, in order that they may review their own ancient philosophical traditions.

This is a brief sketch of the history of the problem that is the subject of this poem. I have endeavoured to free this subtle problem from the complexities of philosophical proofs and to dye it in imagination’s colours, so that it may become easy to understand and reflect upon this reality. This preface is not meant to provide a commentary on the poem, but merely to provide a road-sign to those who are not already familiar with the minutiae of this reality. I am certain that this purpose will be served by the above lines. There is no need to say anything about this poem from a poetic point of view. The poetic imagination is merely a means of drawing attention to the reality [*PAGE 12*] that the pleasure of life, the individual capacity of the ego, is bound up with its affirmation, fortification, and expansion. This point will serve as a prologue to the understanding of the reality of the problem of life after death.

Yes—with regard to the word 'self', it is necessary to apprise the audience that it has not been used in this poem in the sense of 'vanity', as it normally is in the Urdu language. Its meaning is simply the sense of self, or the individuation of the essence. This is also its meaning in its compound 'self-lessness', and it is likely that the meaning of the word 'self' is the same in this [Persian] verse by Muhsin Tasir:

Due to the 'self', the one drowning in the sea of unity did not breathe,
amidst the waters, it was impossible to draw breath.



--Muhammad Iqbal

The past few Months ... have had the privilege of watching a couple of SparrowHawk in their hunting Ballet ..... did not think of mentioning it until now .... so let's check out sparrowhawk and see what we can come up with :



Eurasian Sparrowhawk - Wikipedia, the free encyclopedia

A couple of bird of prey ( you ) which hunts birds ( inspiration )

More can mean less when it comes to being happier -- especially if you are neurotic

red on red

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Scientists turn skin cells into brain cells

you could say hidden within every skin cell ... there is a brain cell





a gene is like a light switch .... the question is who can turn on that light switch

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New findings provide insight on long-standing pregnancy mystery

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Novel brain imaging technique explains why concussions affect people differently



from: The Brain is an Advanced Fractal Antenna

Let us go back to the subject of Brain as a Fractal Antenna:


Man suffers from head injury and becomes a sudden musical genius, page 1

Man suffers from head injury and becomes a sudden musical genius

--------------------------------

Man Becomes Math Genius After Head Injury, page 1

Man Becomes Math Genius After Head Injury

the Blue Pole

for your knowledge

Joel Sternheimer -- Protein Music -- French Patent # 2,136,737

"French Physicist Creates New Melodies - Plant Songs"

Remember those song birds we used to hear in the fields? The sounds of animals in nature singing a symphony of soft and subtle sounds as all things flow together to create a living and vibrant concerto? Science is now showing that these sounds actually do influence the growth of plants. Researchers have demonstrated that plants respond to sounds in pro-found ways which not only influence their overall health but also increase the speed of growth and the size of the plant.

Many people remember hearing in the late 1960's and 1970's about the idea that plants respond to music. There were lots of projects in high schools and colleges which successfully tested the effects of sound on plant growth. It was determined through repetitive testing that plants did respond to music and sound. The first book which brought this idea to most of us was: The Secret Life of Plants, by Peter Tompkins and Christopher Bird (Harper & Row 1973). In this best selling book a number of astounding revelations about plant growth were revealed. The idea that plants were influenced by sound in both positive and negative ways was demonstrated by several world class scientists at that time.

When we think of plants being affected by sunlight we are really looking at the effect of a portion of the electromagnetic spectrum on plants that portion which includes visible light. It should not surprise us that sound also impacts plant growth because it is, in essence, an extension to other parts of the electromagnetic spectrum.

The science was first disclosed in an article by Andy Coghlan which appeared in New Scientist (May 28, 1994, p.10). The article confirmed old ideas by placing them in a scientific context. It tells an excellent story about the impact of sound on plant growth, bringing to light what was before considered esoteric or mysterious science. After reading this short article and those which follow in this issue of the Flashpoints a good deal more will be thought of "singing gardeners" and "plant communicators."

Many people remember reading accounts of plant growth being stimulated by sound waves. At that time, "talking" to plants and playing plants different types of music was used to influence growth. A number of people were using these techniques without being able to completely explain the phenomena. This article is part of that story a story which could have a profound impact on the way we grow and produce our food.

Eccentrics who sing to their plants? People playing melodies to organic matter with the expectation that it will help stimulate growth? These ideas were the thoughts of some "non-scientists" until French physicist and musician, Joel Sternheimer, discovered the mechanism for how plants respond to the stimulation of sound waves. Sternheimer composes musical note sequences which help plants grow and has applied for an international patent1 covering the concept.

The sound sequences are not random but are carefully constructed melodies. Each note is chosen to correspond to an amino acid in a protein with the full tune corresponding to the entire protein. What this means is that the sounds sequenced in just the right order results in a tune which is unique and harmonizes with the internal structure of a specific plant type. Each plant type has a different sequence of notes to stimulate its growth. According to New Scientist, "Sternheimer claims that when plants "hear" the appropriate tune, they produce more of that protein. He also writes tunes that inhibit the synthesis of proteins." In other words, desirable plants could be stimulated to grow while undesirable plants (weeds for instance) could be inhibited. This is done with electromagnetic energy, in this case sound waves, pulsed to the right set of frequencies thus effecting the plant at an energetic and submolecular level.

Sternheimer translates into audible vibrations of music the quantum vibrations that occur at the molecular level as a protein is being assembled from its constituent amino acids. By using simple physics he is able to compose music which achieves this correlation. Sternheimer indicated to New Scientist that each musical note which he composes for the plant is a multiple of original frequencies that occur when amino acids join the protein chain. He says that playing the right notes stimulates the plant and increases growth. This idea is particularly interesting because it may lead to the eventual obsolescence of fertilizers used to stimulate plant growth. This new method would be cheap and relatively easily provided throughout the world, thereby avoiding many of the problems associated with the extraction, shipping, environmental and economic costs of chemical fertilizers.

Playing the right tune stimulates the formation of a plant's protein. "The length of a note corresponds to the real time it takes for each amino acid to come after the next," according to Sternheimer, who studied quantum physics and mathematics at Princeton University in New Jersey.

In experiments by Sternheimer, he claims that tomatoes exposed to his melodies grew two-and-a-half times as large as those which were untreated. Some of the treated plants were sweeter in addition to being significantly larger. The musical sequences stimulated three tomato growth promoters, cytochrome C, and thaumatin (a flavoring compound). According to Sternheimer in the New Scientist, "Six molecules were being played to the tomatoes for a total of three minutes a day."

Sternheimer also claims to have stopped the mosaic virus by playing note sequences that inhibited enzymes required by the virus. This virus would have harmed the tomato plants.

The note sequences used by the inventor are very short and need only be played one time. For example, the sequence for for cytochrome C lasts just 29 seconds. According to Sternheimer, "on average, you get four amino acids played per second" in this series.

The inventor also issued a warning for those repeating his experiments. He warns to be careful with the sound sequences because they can affect people. "Don't ask a musician to play them," he says. Sternheimer indicated that one of his musicians had difficulty breathing after playing the tune for cytochrome C.

Plant stimulation by sound may have profound implications. The idea that a cheap source of "electromagnetic fertilizer" has been developed should be exciting for many third world countries. At a time when human progress can be made through simple solutions in agriculture, resources are being wasted in the extraction of mineral and oil compounds for fertilizers. If this method of fertilization were followed the human intellect would prove superior to physical capital in terms of distribution and production of this new technology.

The idea that sound can have a healing effect on humans is being explored by a number of independent scientists around the world. The know-ledge of the "sound effect on proteins" offers insights to health practitioners of the benefits to humans. In addition to the favorable economic factors, the increased vitality of the plant substances can positively impact the health of all humans that consume them.

The patent includes melodies for cytochrome oxidase and cytochrome C which are two proteins involved in respiration. It also includes sound sequences for troponin C which regulates calcium uptake in muscles. Further, a tune was developed for inhibiting chalcone synthase which is an enzyme involved in making plant pigments.




Enya - Crying Wolf - le chant du Loup - YouTube

all that has been presented to you so far .... are reproducible experiments ( with caution ) and discoveries. Do not assume that all has been uncovered by the respective discoverers such as the above article but also Rodin Coil / Ouroboros Coil , Vogel Quartz , salt etc ....

these are ingredients for new formulations / new discoveries / new circuits not just for reading





for instance : did you know:

from: Walter Russell - Understanding and applying his work



this is very interesting as all these are used in one form or another for energy production and alchemical use .... really interesting

Legendary lost 'White City' of gold 'discovered' in dense Central American jungle by advanced laser mapping | Mail Online




-------------------------- remember the norway spiral



Before It's News

Everything is a Remix | Watch "Everything is a Remix" Documentary Online for Free

Walter Russell : The Twelve Laws of Change of the Infinite Universe

Walter Russell -- Energy Generator Coils

1. One Infinity manifests itself into complementary and antagonistic tendencies, yin and yang, in its endless change.

2. Yin and yang are manifested continuously from the eternal movement of one infinite universe.

3. Yin represents centrifugality. Yang represents centripetality. Yin and yang together produce energy and all phenomena.

4. Yin attracts yang. Yang attracts yin.

5. Yin repels yin. Yang repels yang.

6. Yin and yang combined in varying proportions produce different phenomena. The attraction and repulsion among phenomena is proportional to the difference of yin and yang forces.

7. All phenomena are ephemeral, constantly changing their constitution of yin and yang forces; yin changes into yang, yang changes into yin.

8. Nothing is solely yin or solely yang. Everything is composed of both tendencies in varying degrees. ( think anisotropy )

9. There is nothing neuter. Either yin or yang is in excess in every occurence.

10. Large yin attracts small yin. Large yang attracts small yang.

11. Extreme yin produces yang, and extreme yang produces yin.

12. All physical manifestations are yang at the center, and yin at the surface."

8. Nothing is solely yin or solely yang. Everything is composed of both tendencies in varying degrees
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Myths of Right-Brained Creativity | Psychology Today

"I'm not creative. I'm very left-brained." "My teachers killed my creativity." "I'm just not into being all different and original and weird."


As a creativity consultant, I often hear such comments. What underlie each of them are myths about creativity, myths perpetuated often by other consultants and by incomplete conclusions derived from the science of creativity. Let me be audacious enough to try to dispel one of the biggest such myths: the right-brain creativity myth.

MYTH #1: CREATIVITY = RIGHT HEMISPHERE

A recent study showed that a function of visual thinking is not solely a function of the right hemisphere. The Health Editor at The Columbia Chronicle recently asked me if the study's findings surprised me. They didn't.


The puzzle required that architecture students visualize certain existing geometric shapes and if when assembled formed either a square or a rectangle. This activity requires visual and spatial reasoning (so we'd expect the right hemisphere to light up), but it also requires drawing upon previous knowledge (what is a square or rectangle) and making discernments. The mind puzzle did not require complete novelty or spontaneous insight.

As a culture, we're still re-covering from the misnomer that creativity is a right-brained activity. I think this assumption stems in part from an over-simplification of especially Roger Sperry's work in the 1960s on the split-brain hypothesis. Some of that research demonstrated that in general ways activities that require more holistic perception (the gestalt), spatial reasoning, and appreciation of beauty stimulate the right hemisphere and that activities which require more analytical thinking—including language—stimulate the left. This research became popular and grossly over-simplified in the 1990s especially in education circles, business circles, and art workshops.

We now know that creativity as well as—on the flip side—rational decisions are more whole-brained activities than some of us would like to imagine. For instance, playing music involves making the repetitive drills and memorizing certain hand movements (left-brained) as well as improvising and connecting emotionally to the music (somewhat right-brained).

MYTH #2: LOGICAL PROBLEM-SOLVING = LEFT HEMISPHERE

The reverse is also true. If we follow that certain activities are strictly right-brained or left-brained, we'd assume that someone with no right-hemispheric stimulation would be highly rational. That's not the case. Our capacity to reason well seems to rely a good deal upon being able to access our emotions.

Reason relies on emotion. What we assume are conscious logical decisions—buying a car, choosing a house, electing a candidate—actually are influenced by considerable unconscious and highly emotional impulses that we then rationalize. We do cost-analysis of automobiles (mostly left-brain and prefrontal cortex), but we also have strong emotional responses to cars (color, feel). Designers and marketers know this all too well. Recent studies have shown that people without access to their emotions because of brain damage are highly dysfunctional. They will spend hours deliberating on one minute problem and not get anywhere.

Emotions are not, though, a strictly right-hemispheric function. Some neuroscientists such as Joseph Ledoux are even challenging the idea of "the emotional brain" or "the limbic system."

Pure logical problems might not seem to require much novelty. But if you were to monitor people's brains while they tried to figure out a syllogism, at the moment of insight, the moment they figure out the solution, I could almost guarantee that a part of the right brain called the right anterior temporal lobe would light up.

We know similarly that people who try to hyper-focus in order to solve a problem usually confound themselves. If you want to solve a problem, don't sit down to try to figure it out. Prime your mind with the necessary knowledge. Let your mind absorb it. Then, step away and diverge. Take a walk outdoors. Move your body. Take a hot bath. Draw and doodle. Stop thinking so hard. And watch the margins of your mind play.

This last part—the ability to watch your mind at work and play—is probably a function neither of left or right hemispheres, per se, but of the medial prefrontal cortex. This area is stimulated in people who are aware of their awareness. And it's instrumental in thriving as a creative problem-solver or as a creative in any field.

MYTH #3: CREATIVITY = A HA!s + LIGHTNING BOLTS

Another false assumption I think we suffer from culturally is the idea that creativity equals novel insight. When we have those aha! moments, a part of the right hemisphere is in fact stimulated. But to thrive creatively involves so much more than insight and novelty.

Creativity is in part applying imagination. Creativity entails either making novel contributions within a field, re-combining existing ideas in a fresh and useful way, or/and it is solving problems in a novel but useful way.

To do so, a person must have discernment, judgment, a clear knowledge of the material and craft—much left-brained. A writer who aspires to excel as a memoirist and to have her work recognized and appreciated, for instance, actually must learn a great deal about her craft and about how to design engaging and near-magical reading experiences.

Such study is the left-brained behind-the-scenes work of a lot of creative output that many people popularly don't like to think about. They don't like to associate creativity with study, discipline, and discernment. They like to associate creativity with romance and spontaneity and brilliant ideas. That's just not the whole story of what it takes to thrive creatively. All skill, no whim, and what's created might be flat and derivative. All whim, no skill, and what's made might be enjoyable only for the creator.

Not incidentally, what happens with many adults is that once they learn facets of their respective craft, the joy of their medium increases because they "know what they're doing."

People who thrive as creative problem-solvers probably have developed a series of habits that let their brains' neighborhoods talk more freely to each other. And the human brains' neighborhoods and designated regions, by the way, are constantly changing as neuroscientists try to map them out

Propellerheads feat: Miss Shirley Bassey - History Repeating - YouTube

Ninja Mind Control



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12. All physical manifestations are yang at the center, and yin at the surface." Walter Russell

Ninja Mind Control



♥ I Have A Dream ♥ - ABBA - ♫(Lyrics)♫ - YouTube

The Codes of Gender | Watch "The Codes of Gender" Documentary Online for Free

learn to decode

Psychologists find meditation increases awareness of subliminal messages



-------------------------- on the same subject of perception :

behind every skin cell there is a brain cell

Hands-on research: Neuroscientists show how brain responds to sensual caress

8. Nothing is solely yin or solely yang. Everything is composed of both tendencies in varying degrees